ID [PNW]

VIA Handheld Printer & Scanner designed by Matthew Koscica , Jasmine Schubert , Dylan Willis Western Washington University Industrial Design International Design Excellence Award - Bronze 2021 (IDEA) and Winner of the Gray Award 2021 for student design and Winner of Core77 Design Awards 2021 for Consumer Technology - Student Notable This compact multi-tool acts as a portal between digital information and our physical world. VIA, a handheld printer and scanner, is designed to reduce the pain points of conventional printing while bringing ease of use and excitement to the process. By allowing the human to be the driving force behind the printer, size is reduced, paper jams are avoided, and points of failure are lessened.   VIA uses emerging wide printhead technology and guidance rollers to achieve a single swipe, simple printing process. Current printers have limited use cases by having the paper advance through the printer, but by instead allowing the printer to be moved acros...

by Prof. Jason A. Morris  May 11, 2018 Did you know that some of the latest and greatest product designs were designed by Western Washington University's elite industrial design program alumni? Here are just a few examples: Oculus Go Virtual Reality device: designed by Peter Bristol, creative director and Head of Industrial Design at Oculus, (class of 2004), Joe Sullivan (class of 2005) and Mauricio Romano (class of 2015) and the rest of the design team at Oculus. https://www.oculus.com/go/ Microsoft Surface Pro Designed by Carl Ledbetter, Principal Director of Design at Microsoft, (class of 1987), Benjamin Peterson, Industrial Designer at Microsoft Surface (class of 2011) and the rest of the design team at Microsoft. https://www.microsoft.com/en-us/surface/devices/surface-pro/overview Xbox One X The world’s most powerful gaming console. Designed by Carl Ledbetter, Principal Director of Design at Microsoft, (class of 1987) an...

  The Successful Design Business Practices of Walter Dorwin Teague Part 4 of 5  Design Research and Designer Cultural Sensitivity versus Market Surveys  ( click here for part 1 ,  part 2 ,  part 3 ) Designers at the boards in the New York Teague office. About 1940. Photo by Stowe Myers.     Teague believed in the designer’s intuitive sensitivity of culture and understanding of the client and end-user, to lead them to the best design solution.  Teague expresses the limitations of marketing and surveys in this speech in Detroit 1960: “These people can’t tell you what they are going to like three years from now- that’s been completely proven; but they can’t even tell you what they will like today if you’ve never seen it.   So the designer will learn next to nothing from the quiz programs some companies conduct at great expense.  But the designer should be aware of and sensitive to the trends that are moving in this small,...